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[disco, electronic, synth-pop, world] (2022) Saada Bonaire - 1992 [FLAC] [DarkAngie]

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(2022) Saâda Bonaire - 1992




Review:
Saâda Bonaire, the 2013 collection of the output
from the unlikely but fascinating German pop-meets-dub-meets-global sounds collective released by Captured Tracks’
Fantasy Memory imprint, was such a delightful surprise that it rightfully became a cult classic. It was also such a
rarity that it seemed unlikely to hear more from the group — especially because their lead producer, Bremen DJ Ralph
von Richtoven, thought he scrapped all of the project’s later recordings in frustration at their inability to catch a
break. However, the discovery of tapes in his basement nearly a decade after Saâda Bonaire‘s release led to 1992, a
document of the project’s evolution that’s just as intriguing, but notably different, than what came before.
Following the disappointment of having their label EMI quickly withdraw support after their hypnotic debut single “You
Could Be More as You Are” failed to become an immediate hit, Saâda Bonaire went on hiatus, When they reunited in
1991, the lineup featured Richtoven, original vocalist Stephanie Lange, and the Turkish-Kurdish musicians that appeared
on their initial recordings, as well as North Irish folk singer and lyricist Paul Lindsay, church-trained vocalist
Andrea Ebert, and jazz guitarist Mike Ellington, who shared Richtoven’s love of acid jazz, trip-hop, and house. Where
“You Could Be More as You Are” and the rest of Saâda Bonaire was recorded by Dennis Bovell at Kraftwerk’s studio
in Cologne, 1992’s recordings were made at Ellington’s studio, which was located inside the sex shop owned by his
family. Though 1992 lacks the big budget production values of Saâda Bonaire’s major label recordings (their A&R man
was notorious for overspending) it nevertheless updates the group’s slinky mystique with sounds that capture the era
of its title. On tracks like their version of Syreeta’s “To Know You Is to Love You,” the slick beats and fat
synth bass lines reflect the trends of the times, while the blend of Turkish saz, Lange’s aloof alto and Ebert’s
impassioned delivery makes the song unmistakably Saâda Bonaire. At times, 1992 evokes the work of other synthesists
like Tom Tom Club or Dewdrops in the Garden-era Deee-Lite (especially on the vibrant “Your Prince” and “Move from
the Heart”) , but more often than not, Saâda Bonaire sound as singular as ever. The slight stiffness in the beats and
vocals of songs such as “Extremes” and “Okay It’s Over” lend an alien feel that’s miles away from the
cheesiness that the artists exploring these styles could fall prey to. While it’s not always as transcendent as Saâda
Bonaire, 1992 still captures the group’s spirit of boundary breaking creativity. It’s a small miracle that it even
exists, and it’s well worth hearing for anyone who enjoyed the group’s first compilation or the pliable dance and
pop sounds of the early ’90s. — AMG


          


Track List:
01 -
Woman
02 - To Know You Is to Love You
03 - Extremes
04 - So Many Dreams
05 - Running
06 - Okay
It's Over
07 - That's Right
08 - Lovelife
09 - Your Prince
10 - 7th House
11 - Move from the
Heart
12 - Follow Your Mind


Media Report:
Genre: disco, electronic, synth-pop, world
Country: Germany
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode:
Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits


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